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THE RETURN OF BONG-SHELL BIPASHA!

Monojit Lahiri investigates the rise and fall of Bipasha Basu, and a much anticipated come-back of the sizzling hot star on OT...

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I MAKE REGIONAL CINEMA THAT RESONATES WITH GLOBAL AUDIENCES: DISHA BHARDWAJ

Vinta Nanda gets in conversation with Disha Bhardwaj, a young filmmaker, whose first film Chupi Roh is selected to screen at t...

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HOW DO YOU FALL OUT OF LOVE WITH COUNTRY MUSIC

Vinta Nanda had this interesting conversation, recently, with Shyamala Moorty, director of multiple award winning film “...

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पानइंडिया (PaanIndia!)

The history of Paan has mythological as well as historical and Ayurvedic references, writes Aparajita Krishna.

AMIT KHANNA’S JOURNEY AS A LYRICIST

 

Shantanu Ray Chaudhuri goes past many of Amit Khanna’s talents and brings fo...

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Dr SUCHETAN PRADHAN: THE CULTURE BEHIND DENTISTRY

I am in conversation with one of India’s best known practicing dentists: an implant aesthetic and laser dentist, writes Aparajita...

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THE MAN WHO WOULD NOT BE KING

More than 2500 years after he preached his eight-fold path, does the Buddha’s example matter to a world divided by multiple human-made co...

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THE RECIPE FOR GOOD ROMANTIC COMEDY

The Ex Factor author Harini Srinivasan unpacks her views on the recipe for a good romantic comedy, the evolution of the genre over the yea...

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IDENTITY, IDENTIFICATION AND THE FUEL OF TIME’S FURNACE

Humra Quraishi writes, “It’s August and focus is on Kashmir. On 5 August 2019, the status of Jammu and Kashmir was altered by revok...

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THE MITTI KI SONDHI KHUSBHOO SMELLS OF BLOOD

The tragic and horrifying details coming from Manipur remind Shabnam Hashmi about Gujarat 2002. Wasn’t it predictable th...

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